Ms&Mr perceive their practice as domestic Science Fiction, seeking the potential of unrealized, augmented relationships. They frequently use their own relationship and archival material as the vehicle for these ideas, finding narrative leverage in the realm of theoretical physics.
In Videodromes for the Alone: The Lovecats 1991/2007, Stephanie lip-syncs and dances to the Cure’s ‘The Lovecats’ in ’91, however in this adaptation an adult Richard accompanies her in the dance, crossing literally from the open black digital space into the screen of her past and restoring Stephanie lone lip sync to the plurality of the original song’s title and her original intention for it to be a collaborative lipsync.
Mots-clefs : Performance, Video